The PR Blog
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- Written by: Op-Ed Monty
Words.
We use them every day without giving them much thought.
We write them in letters. We tap them into emails. We send them across the world in seconds on a telephone. We use words to tell somebody we love them. We use them to say we are sorry. We use them to explain, persuade, comfort, warn, remember and sometimes simply to have a bloody good laugh.
Words matter.
We wrote about that recently when we looked at the old-fashioned letter and what we lost when we exchanged carefully chosen sentences for hurried messages and little blue ticks.
But there is another side to words that is becoming increasingly difficult to ignore. Words can be turned into knives. Not because the words themselves are sharp. Because somebody decides to sharpen them.
Take the word primitive.....
Read more: When Words Become Knives
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- Written by: Op-Ed Monty
As our countries struggle under the weight of wokeism, ideological conformity and the relentless erosion of the values upon which our societies were built, who else is looking for a leader willing to fight back? How often today do we need a bulldog and, instead, get a lapdog nipping at our heels?
Throughout history, when free people have found themselves confronted by oppression, there has usually come a moment when someone has stood up and said what others were thinking but were afraid to say.
Not because that one person possessed some magical power to save a nation.
But because leadership gives courage a voice.
Eighty-six years ago, Britain found such a voice.
" Upon this battle depends the survival of Christian civilisation. Upon it depends our own .... life, and the long continuity of our institutions..... The whole fury and might of the enemy must very soon be turned on us. .... But if we fail, then the whole world will sink into the abyss of a new Dark Age made more sinister, and perhaps more protracted, by the lights of perverted science. Let us therefore brace ourselves to our duties..... men will still say, "This was their finest hour." - from Winston Churchill ( excerpt)
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- Written by: Op-Ed Shaydee Lane
The Lost Art of Letter Writing
In an age of glowing screens and fleeting texts, something precious has quietly slipped away: the letter.
Once, entire lives were poured into envelopes - love confessions, battlefield farewells, business dreams, simple reassurances. Letters carried permanence, patience, and poetry.
Today we trade that depth for speed: a thumbs-up instead of a paragraph, a “u ok?” instead of pages of care.
At what cost?
Our reliance on mobile phones has grown, and with it our vulnerability.
I watched a video of a man whose phone had been confiscated by police. For those hours, he said, his entire life was stolen: banking, email, contacts, everything.
How does a person become so dependent on one device that, without it, he is financially, emotionally, and socially stranded?
We did not only trade poetry for convenience.
We traded a message for a tracking device that also happens to send messages.
Verification codes, cloud backups, and the quiet fact of being locatable have become the price of ordinary life.
That is what sent me back to the lost art of letter writing.
Read more: What the Mailbox Knew That the Send Button Doesn’t
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- Written by: Op-Ed Shaydee Lane
As young folk, didn't some of us feel like rebels without a cause?
I am 71. In my era, some of us chose to follow Greenpeace. Others chose anti Vietnam war. Still others embraced the feminist ideology and some the allure of socialism and communism. For myself, I never really embraced a cause. I was too busy enjoying life. But I was always a bit of a black sheep.
Terribly stubborn. Opinionated and very determined in my views on what was black or white or right from wrong. Poor Redhead still tries to rein me in but alas, she hasn't been successful thus far. At 94, you would think she would give up trying, but she tells me " I am still your mother. "
Bugger. She is right of course but in all fairness, I do attribute good parenting to the fact that she now has three geriatric offspring who tend to be a pain in her arse because we won't do as we are told. Let me explain.
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- Written by: Op-Ed Ratty News
There’s Meat on the Bone
A Ratty News Investigation
By Roderick “Whiskers” McNibble
Chief Investigative Correspondent, Ratty News
It began with the Great Dog-Fence Summit.
Two dogs. One fence. One bone. A great deal of barking.
And one Red Dog who looked at the whole performance, walked around the fence, and went about her business.
That reminded me of a nursery rhyme.
Knick-knack, Paddy-whack, give a dog a bone.
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- Written by: Op-Ed Ratty News
DUSTY GULCH GAZETTE
Special Political Correspondent Edition
Filed from the wrong side of a perfectly ordinary fence
THE GREAT CANBERRA DOG-FENCE SUMMIT
(or: Why They Still Haven’t Climbed Over It)
There are certain things in life that nobody in Dusty Gulch has ever properly explained.
Why two dogs will bark themselves hoarse through a fence they have no intention of climbing is one of them.
Why 226 grown adults in Canberra will do the exact same thing for an hour every sitting day is another.
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- Written by: Op-Ed Blythe
Read more: The Timeless Strategy of Deception: Propaganda as a Weapon Against Society
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- Written by: Op-Ed Shaydee Lane
When I was a child, I loved a story about little tugboat called Little Toot.
He was a tugboat in New York Harbour.
He wasn't the biggest boat in the harbour. He wasn't the strongest. And he certainly wasn't the sort of vessel anyone would have expected to do anything particularly important.
But Little Toot had something the big boats sometimes lacked.
He was willing to have a go.
I hadn't thought about Little Toot for years.
Then I read about what happened in that same New York Harbour on September 11, 2001.
And suddenly I remembered him.
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- Written by: Paddy
You Either Get It or You Don’t
People have lost their sense of humor.
Not shoved it in a basket or the rubbish bin.
Lost it the way a man loses his dignity in a public toilet with no lock: suddenly, publicly, and with witnesses.
If you can’t laugh, fook off. The rest of us have work to do.
That’s the trouble with the humorless. They treat a joke like a fire alarm. One wrong word and they’re evacuating the building. The old priests at least had the decency to threaten you with hell. These ones threaten you with an HR meeting.
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- Written by: Op-Ed Happy Expat
The Alfred Graving Dock - a monument to Victorian engineering and Australian shipbuilding
Most readers have probably never heard of the Alfred Graving Dock.
Indeed, I suspect many would quite reasonably ask: “What is a graving dock?”
The answer is rather more interesting than the name suggests.
There is an interesting piece of language hidden in the name. “Graving” is an old word associated with digging, cutting or carving. A grave, in its original sense, was simply a hole dug into the earth, while to grave something was to cut or carve into it , hence engraving. A graving dock is therefore, quite literally, a dock that has been dug or carved out of the ground.
One of Australia's finest examples is the Alfred Graving Dock at Williamstown in Melbourne.
And it is quite a remarkable place.
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- Written by: Op-Ed Monty
I was 12 years old when "The Prisoner " came out. Sometimes, I would sneak out of bed and watch it from the hallway when my parents were engrossed in watching the TV. I will never forget my fascination with some bloke running around a quirky town being chased by giant bubbles and mini mokes were the go-to vehicle of the time. It confused me and intrigued me. No doubt, my parents felt the same way. It was hardly the same as watching " I love Lucy " or " Rawhide " but it surely got my little grey cells working overtime.
"The Prisoner," a British television series created by Patrick McGoohan, first aired in September 1967 and ran for 17 episodes. It followed the story of a British secret agent named Number Six, played by McGoohan himself. Set in a mysterious and surreal village, the series explored themes of individualism, freedom, surveillance, and the power of the state.
Number Six’s line - “I am not a number. I am a free man” - is not just a catchphrase. It is a refusal to let the collective rewrite the terms of his existence.
A lone juror who will not move, even when eleven others and the machinery around them want him to, occupies a similar position: one person insisting that his own judgment is not for sale.
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