By Roderick ( Whiskers) McNibble, Chief Mud-Slinger & Power Failure Correspondent
While the nation was still reeling from the latest Prentis Penjani “liar liar pants on fire” special (charred to a crisp, as usual), and the Honklander brides saga had gone full media blackout, something much louder went BOOM in the valley.
Those two mighty Gulch Valley chimneys - 170 metres of old-school coal muscle - came crashing down in a controlled demolition that shook the dust right off our swags.
And in true Dusty Gulch fashion, the locals have turned catastrophe into a sing-along.
Read more: Dusty Gulch Blackout Special : Lights Out But the Lights on the Hill are Still Blazing
In a quiet Australian town, long ago, stood a modest weatherboard house. It had three ordinary steps at the front, but the four wooden backsteps leading down from the kitchen verandah opened onto a boy’s entire universe.
Fifteen paces ahead - thirty with seven-year-old legs - stood the dunny, its tippy tin tucked beneath a leafy vine. Once a week came the Night Soil Man, brave, dependable, and somehow larger than life. He would swap the full tin for a clean one without fuss, as if performing a sacred duty for civilisation itself.
Beyond the gate sat a green Morris Minor sleeping in a garage crowded with ladders, tools, bits of timber, old paint tins, and mysteries only fathers understood. In the far corner of the yard, chooks scratched and clucked around the veggie patch, occasionally escaping into forbidden territory whenever the gate was left swinging open.
Those backsteps were this boy’s favourite place in the world.
We recently had a situation where an article was submitted to our blog, and I gave it ' an edit. "
Firstly, let me be clear: I am not a journalist and I have no formal education in writing, save for 8 years of learning the hard way in the school of hard knocks. I look back on some of my earlier posts and shudder - as Dad would have said " What was she thinking? "
Sure, I have done on line courses in writing, and I have tried to hone my craft. But it was experience and comment feedback that was my greatest teacher.
The first thing I learned was that there is a difference between writing historical pieces, current affairs and nostalgia.
Nostalgia is the hardest, yet strangely enough, the easiest if you just let it flow. Maybe that is true in all writing, but in nostalgia, it is much more important in my opinion.
There is an old saying among writers that readers can smell dishonesty long before they can explain it. Not sure who said it but it was not me. Or Maybe it was.
I think the same is true of nostalgia.....
Once upon a time in the land of OUR country, freedom was a rare commodity.
The citizens were bound by countless rules, regulations, and, worst of all, forms.
There were forms to fill in, forms to let us sleep, and even forms to dream. Dreaming without proper authorisation could lead to severe penalties, including being sentenced to fill out more forms.
In the heart of OUR Country lived Bob, a rather jovial and friendly man who had grown tired of the endless paperwork.
One particularly dreary Monday, Bob found himself buried under a pile of reports. As he sifted through them, he stumbled upon a peculiar form labeled “Application for Freedom.” Intrigued, he read the fine print:
Read more: A Passport to Forms Forever Land or a Fairytale Nightmare?
I hesitated before writing this piece.
Not because the subject matter is unimportant, but because it is deeply disturbing. Some of what follows is difficult to read. Much of it was difficult to research. At times, I found myself wanting to simply close the books, turn off the screen, and walk away from it all.
But we cannot pretend these things do not exist.
And if anything, the world Judith Reisman warned about is no longer approaching us.
It is already here.
We now live in a society where children carry smartphones more powerful than the computers that once sent men to the moon. Even school libraries are stocking books that would shock many of us.
Childhood itself often feels under siege.
That is why Judith Reisman matters. So here we go, down a rabbit hole that horrified me.
Read more: Judith Reisman and the Battle We Still Refuse to Face
“A Long Time Ago...” Still Echoes Now
On May 25, 1977, a strange little film with a golden robot, a grumpy trash can, and a farm boy from Tatooine lit up cinema screens - and rewired our imaginations. Nearly five decades later, Star Wars remains more than a sci-fi epic.
It’s a prophetic glimpse into our algorithm-driven world, where machines talk back, surveillance looms, and rebels still dare to hope.
When Star Wars hit the theatres, it changed everything.
Forty-nine years later, Star Wars isn’t just a sci-fi classic. It’s a cultural landmark, a modern myth, and, strangely enough, a surprisingly accurate blueprint for our blinking, algorithm-powered present.
Because while we may not have landspeeders or lightsabers (yet), we do have intelligent machines that talk back, make decisions, and, just sometimes, seem to understand us.
Welcome to the age of AI… and the galaxy that saw it coming.
Pauline Hanson was about to bowl Albo out for a duck.
Then along came Jason Virgo. Now who’s out for a duck?
One Nation built its reputation on backbone, discipline, controlled migration, and speaking for Australians who felt ignored by the political class. Voters weren’t looking for theatre. They were looking for strength.
Instead, the party handed its opponents a gift-wrapped distraction.
A maiden speech in parliament should project seriousness, purpose, and focus on the people who sent you there. Many voters in regional Australia wanted advocacy for cost-of-living pressures, national direction, and the struggles facing ordinary Australians. Instead, they watched an emotional and deeply personal performance that instantly shifted attention away from those issues and onto political spectacle.
Parliament surely demands adults who represent their voters’ priorities, not personal passion plays. Someone in One Nation should have read that speech and said: tone it down. This wasn’t stoic advocacy. It became media theatre, and Labor and the press immediately sensed blood in the water.
Dusty Gulch Gazette – SPECIAL REPORT
THE TWENTY-DOLLAR MYSTERY
By Roderick “Whiskers” McNibble
Dusty Gulch remains gripped by speculation following Madame Cluckette’s now infamous declaration:
“Tell Trevor he still owes me twenty bucks.”
The statement, delivered moments before the closure of Moonlight Manor, has triggered:
three town meetings, two protest marches, one interpretive mural, and a completely unnecessary podcast hosted by Barry the Cane Toad.
Rumours spread quickly.
It was Mayor Dusty McFookit who, along with recently bailed local hero Trevor the Wallaby and Dulcie Wiggins from the local laundromat, who solved the mystery.
Read on and all will be revealed...
From the Eureka Stockade to today’s silent struggle, Australians are waking up - not to rebellion, but to restoration.
There comes a time in every nation's life when the soft underbelly is laid bare, and that time is now. Australia is being gutted from the inside out. And we, the people, are standing in a fog of apathy, like possums caught in the headlights of our own destruction. Well, it’s time to snap out of it. Time to rise. Time to fight.
They ripped out our heart when they sold our land, our industries, and our children’s future.
They took our backbone when they told us to sit down, shut up, and trust the process. But something stirs now - from country towns to crowded cities - the old spirit isn’t dead. It’s waking.
This isn’t about Left or Right. This is about Australia. A land worth defending.
A people worth fighting for. And a heritage worth remembering. The fight begins... not with bullets, but with truth, with courage, with the mongrel in us rising once more.
Read more: The Dingo Awakens: From Eureka Stockade to Australia's Silent Restoration
My Great-Uncle Walked the Bulldog Track: Kokoda’s Forgotten Cousin
Family stories often sound small until history catches up with them.
For years, I knew only that my great-uncle had walked out of Wau in early 1942 ahead of the Japanese advance. It was spoken of simply as a hard journey through the jungle - one of those half-remembered wartime tales passed quietly through families.
But the more I researched, the more I realised he had traversed one of the harshest tracks of the Second World War.
The rough trail he followed south through the mountains would soon become a vital Allied lifeline, hacked, blasted, and dragged into existence by Australian engineers and Papuan labourers working in some of the most unforgiving country on Earth.
It was called the Bulldog Track. By 1943, it was destined to become a lifeline for the Allies.
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